46 years ago, a moving picture testified to sexual assault against a woman. It moved all around the world, in fact. Only, the world called it “art.” Not much has changed since. This most visible example of a public rape frames sexual assault’s most misunderstood and excused forms: coerced consent, false pretenses and pressure as permission. And people can still buy and sell this sexual assault on film to this day. Why? Continue reading
This Black woman onscreen had to buy her freedom to agency and complexity for a high price. That price was her child’s life. Such is depicted in a spate of films now depending upon a Black woman losing a child violently with no one held accountable. Continue reading
Beah Richards and Bette Davis illuminate the essential if fraught alliance between Black women who serviced White men and White women who benefited from it all in the obscure 80’s HBO movie “As Summers Die.” Continue reading
A 16-year old woman of color received what female slaves may have if they refused their master’s sexual advances: death sentences at worst, and more tortured lives at best. Continue reading
Bolivians of African descent introduced Jensen to Saya music, an old artform which was a universal language in the Spanish-speaking land of their political and labor oppressors. Jensen’s film documents Saya music of today. Continue reading
Are whole Black families’ and intelligent Black women’s stories ever going to be good enough? Continue reading
No matter what I have learned from her brother Bill Genovese’s heart-wrenching push for the truth, I still can not extinguish the feeling of seeing myself in Kitty Genovese: young, happy, independent, innocent, moving toward the future, and fated to be a woman living alone in American big cities. Continue reading
Dr. Terri Francis will be in Chicago this Friday night April 1 at 7PM for a screening and conversation with Kevin Jerome Everson at Black Cinema House! For those unable to make it, please enjoy and share this Women’s History Month Q & A with her on Josephine Baker, Black women in film, and “the burlesque.” Continue reading
It is the most honest, determined cinematic viewpoint on black youth since 1994’s Hoop Dreams. Girlhood is stunning. Continue reading
